Recordings

1997_09_EarlyMusic

Early Music (Lachrymae Antiquae)

Kronos Quartet

1997

“As the title promises, there is actually some early music here – perhaps a startling move for a quartet whose idea of ‘early music’ had previously been Bartok. But this beautiful (and beautifully sequenced) album includes some very inventive yet convincing arrangements of works by Elizabethan composer John Dowland, Master Perotin of Notre Dame, and Guillaume de Machaut. For Kronos, though, early music also means folk fiddling from Scandinavia, Armenian chant, and contemporary composers whose music draws heavily on the sound and the feel of medieval times.”

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John Schaefer, WQXR's Q2 Music

About the album

1998 Grammy Nominee – Best Chamber Music Performance

1998 National Public Radio New Horizon Nominee — Significant Contributions to Classical Music in America

Recorded over a three-year period, Early Music is a collection of music that spans nearly 1,200 years of composition. The 70-minute album is divided into three parts, with each section opening with a Kyrie by Guillaume de Machaut. The final work – Alfred Schnittke’s Collected Songs Where Every Verse is Filled with Grief (a string quartet arrangement of the composer’s Concerto for Mixed Chorus) – served as inspiration for the concept album, sparking a multi-year “search for a sound.”

“The Early Music album came about as an idea about sound and about listening to music and how, at one moment, you can think that you are hearing something from the past that sounds modern, [and], on the other hand, hearing something that is very modern that could sound very old,” Harrington said in an oral history interview with Caroline Crawford for UC Berkeley’s Bancroft Library. “I felt that there is this kind of web built around a listener and around a listening experience to the point where you won’t know what time it is. That became this image of – it was almost an image of perhaps responding to grief, maybe. I am not really sure. But it became the only sound that I could hear for quite a while… It was very important, to me, actually, to make that album.”

Early Music is dedicated to the memory of Harrington’s son Adam Harrington.

SELECT CREDITS

Kronos Quartet
David Harrington, violin
John Sherba, violin
Hand Dutt, viola
Joan Jeanrenaud, cello

with
Marja Mutru, harmonium
David Lamb, bagpipe
Wu Man, zhong ruan, da ruan
Olov Johansson, nyckelharpa
Judith Sherman, drum
Huun-Huur Tu: Kaigal-ool Khovalyg, vocals, igil; Anatoly Kuular, vocals, bysaanchi; Kongar-ool Ondar, vocals, toschpuluur

Produced by Judith Sherman and the Kronos Quartet
Executive Producer: Robert Hurwitz

  1. Kyrie I (feat. Marja Mutru)
    Composed by Guillaume de Machaut, arr. Kronos Quartet
  2. Rachell’s Weepinge
    Composed by Christopher Tye
  3. Laengdans efter Byfans Mats (feat. David Lamb)
    Composed by David Lamb
  4. Lachrymae Antiquae (feat. Wu Man)
    Composed by John Dowland
  5. Psalom
    Composed by Arvo Pärt
  6. Two Studies on Ancient Greek Scales
    Composed by Harry Partch, arr. Ben Johnston
  7. Long-Ge
    Composed by Jack Body
  8. Totem Ancestor
    Composed by John Cage, arr. Eric Salzman
  9. Kyrie II (feat. Marja Mutru)
    Composed by Guillaume de Machaut, arr. Kronos Quartet
  10. Brudmarsch Fra Oesta (feat. Olov Johansson)
    Traditional—Sweden, arr. Mikael Marin
  11. Using the Apostate Tyrant As His Tool
    Composed by Kassia, arr. Diane Touliatos
  12. Synchrony No. 2 (feat. Judith Sherman)
    Composed by Louis Hardin a.k.a. Moondog
  13. Quodlibet
    Composed by John Cage
  14. Viderunt Omnes
    Composed by Perotin, arr. Kronos Quartet
  15. Kyrie III (feat. Marja Mutru)
    Composed by Guillaume de Machaut, arr. Kronos Quartet
  16. Four Part Fantasia No. 2
    Composed by Henry Purcell
  17. O Virtus Sapientie
    Composed by Hildegard von Bingen, arr. Marianne Pfau
  18. Uleg-Khem (feat. Huun-Huur Tu)
    Traditional—Tuva, arr. Steve Mackey
  19. Farwell My Good I. Forever
    Composed by Christopher Tye
  20. Collected Songs Where Every Verse is Filled with Grief
    Composed by Alfred Schnittke, arr. Kronos Quartet
  21. Bells: Tolling of the Knell
    Excerpted from Requiem Mass, performed by the Monks of the Abbey of St. Peter’s Solesmes, France

Released by Nonesuch Records

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