Kevin Volans
“The string quartet Hunting: Gathering (1987) consists of a great many different musical ‘fragments’, invented, quoted, or paraphrased, set beside each other with no causal linking principle. The piece feels like a walk through an imaginary landscape with no particular goal in mind. This is amazing music… Each time I’ve heard Hunting: Gathering I haven’t wanted it to end. Maybe the composer hasn’t either, as the piece is cut off part-way through a musical phrase that hasn’t actually finished.”
From Ken Hunt’s liner notes: “Hunting:Gathering itself started out as part of a series of pieces originally called African Paraphrases… and, parts are, to appropriate Volans’ term, ‘paraphrases’ from Ethiopian, Zimbabwean and Malian music. Its textures are deeply African. The cornerstone of its success lies in the expert way in which Volans not only draws inspiration from the tensions – real or figurative – between the African cultural and Western classical elements in the piece but also reconciles those tensions.”
Kevin Volans on the work: “By the time I came to write Hunting:Gathering, I was tired of the compositional etude – the ‘one idea’ piece – and I thought it would be interesting to write something which included as many different kinds of music as possible – the opposite of minimalism, if you like. In Hunting:Gathering, there are about 23 different pieces of music in the space of 26 minutes.”
SELECT CREDITS
Kronos Quartet
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Joan Jeanrenaud, cello
Produced by Judith Sherman
Executive Producer: Robert Hurwitz
Hunting:Gathering (String Quartet No. 2)
Released by Nonesuch Records
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